Our Collection

An important rectangular mirror in carved and giltwood. This model stands out by a striking and richly worked pediment. At the summit, a dove with deployed wings, symbol of peace or love, is inscribed within a laurel wreath. It surmounts a central medallion adorned with two flaming hearts pierced by arrows, resting on a fluted base. Frieze of twisted ribbons and pearl frieze. The frame is flanked by broad foliage and laurel drops descending along the uprights. The lower section is adorned with two stylised volute consoles, allowing the mirror to rest elegantly on a chimneypiece or console.

Artistic elegance for this roe deer in cement patinated by time on its plinth. This unique piece of folk art dating from the 1960s offers a poetic atmosphere to your garden or interior.

Sculptural gilt bronze candlestick by Georges Mathias for Fondica, characteristic of the organic and expressive work of the second half of the twentieth century. The piece is distinguished by a free vertical composition, evoking a stylised plant or coral form. The shaft unfolds in successive outgrowths with sinuous, dynamic lines, creating a particularly vibrant interplay of shadows and reliefs. The widely splayed tripod base ensures stability whilst prolonging this biomorphic aesthetic. The gilding presents a depth and brilliance that magnify the asperities of the bronze. It is a piece of character, at once primitive and extremely refined.

An elegant sculpted bronze candlestick with gilt patina, created by the artist and designer Pierre Casenove. This emblematic piece, characteristic of the artist’s poetic brutalist style, depicts a stylised bird with organic lines, its body soaring upward. The textured treatment is typical of Casenove: an animated surface that catches the light. The work bears witness to the aesthetic of the 1980s–1990s, fusing utilitarian object and animal sculpture. Signed on the base. France, 20th century

Five-branch stoneware candelabrum, an emblematic example of the Brutalist movement of the 1960s-70s. This piece is distinguished by its organic, sculptural appearance, evoking arborescent forms or primitive anthropomorphic figures.

The treatment of the material is remarkable: an earthy-toned glaze, ochre-brown, displaying a rough, scarified texture that catches the light. The circular base, pierced with almond-shaped openings, anchors the visual balance whilst reinforcing the architectural quality.

This work sits perfectly within the lineage of La Borne ceramics or the œuvre of artists such as Robert Deblander or the Accolay workshop in its most raw productions. It bears witness to the return to origins and to the hand of man typical of the second half of the twentieth century.

The base bears two felt-tip marks covering a signature “Calsat”.

A striking and imposing pair of lamps in Murano Balloton glass in turquoise tones and brass, 1980s.

Rewired.

Rare. A superb biscuit box in Longwy enamels, Neptune model, decorated with polychrome cloisonné enamels depicting fish in marine settings, in red, green and gilt enamels on a black ground. Celadon green enamel interior. Cartouches stamped "Émaux de Longwy" "Décoré main" "Neptune" "France" "Création MP chevalier". Very good condition. No chips.

A handsome wax bust depicting Anne Andéoud, after Jean-Antoine Houdon, 20th century. Wood-veneered plinth.

A very large format oil on canvas laid down on panel depicting a charming pastoral scene, a moment of dance and music, in the spirit of the 18th century.

Two charming black-patinated bronze busts after the Antique, late 19th century, depicting a couple with wreaths of ivy and grapes. The wooden plinths are later additions.

A very fine dark brown-patinated bronze of Diana with the Hind, also known as Diana the Huntress or Diana of Versailles.

After the Antique. 19th century.

The work depicts the goddess of the hunt in motion, her hand resting on the antlers of a small stag.

A striking and elegant pair of carved, painted and gilt wood pedestals. Apron decorated with acanthus leaves, red marble top supported by three legs decorated with winged dragons in the upper section, joined by a stretcher shelf. Italy, 19th century.

A very fine pair of Italian Neoclassical-style pedestals in painted and giltwood, fluted, decorated with acanthus leaves, drawing on themes of classical antique art and architecture. Late 19th century. With signs of wear and minor losses consistent with age.

After Bartolomeo Bimbi, a superb pair of oils on canvas of Lemons and Oranges, "Citri" and "Aurea", depicting clusters of lemons and oranges. Decorative works of the late 19th century (1887). Florence, Italy.

A pair of oil paintings on canvas depicting still lifes of flower bouquets in vases. These paintings are signed Tassinari, an Italian painter of the 20th century.

Each work is framed in an elegant bamboo-effect frame.

Italy, 1950s.

A pair of large brown-patinated bronze candelabra, decorated with putti holding a cornucopia of flowers with five lights, with two snuffers at the top.

Black marble bases.

Late 19th century.

A pair of oval oils on canvas, still lifes depicting fruit and flowers. Carved giltwood frames.

Signed P. Galanti — Italian painter 1885-1973.

This superb 'Bubble' table lamp is an exceptional creation by the celebrated Italian designer Goffredo Reggiani, a visionary of mid-20th-century Modernism. Made in Italy in the 1960s-1970s, this rare piece combines Italian craftsmanship with Reggiani's signature style, making it a true collector's object. The lamp comprises 13 globes, a sought-after variant rarely found. Its sculptural design includes a chrome-plated metal structure complemented by Murano glass globes. The bright chrome finish and the milky opalescence of the globes create a harmonious interplay of light and form, making this lamp an iconic piece suited to any interior.

A superb and highly decorative oil on canvas depicting a bouquet of yellow, white and green dahlias on a red-brown ground. In the spirit of the Napoléon III period. A rare vertical rectangular format. Very fine composition.

Restorations. Very good condition.

A magnificent limited-edition tapestry, titled "Soir de Rêve", woven from the original cartoon by Odette Caly. This work was produced by the Atelier d'Art Contemporain La Lice, under the artistic direction of Jean Picart Le Doux, celebrated for his influence in contemporary tapestry art.

. Edition: Series A, number 65/250
. Technique: Tapestry woven by hand with coloured threads on a black ground, depicting vibrant, dreamlike floral motifs
. Signature: the tapestry is signed "Caly" lower left and bears a certificate of authenticity from the atelier on the reverse.

Odette Caly collaborated with renowned ateliers linked to the Aubusson tapestry tradition. The Atelier d'Art Contemporain La Lice, under the direction of J. Picart Le Doux, perpetuated the Aubusson tradition of quality while innovating and allowing contemporary artists such as Odette Caly to contribute to the modernisation of this centuries-old art.

This tapestry is a typical example of the revival of textile art in the 1960s-1970s, combining vibrant colours and Modernist motifs.